The collection covers publications issued between 1908 and 1956, with particular strength in the formative decades of Soviet film culture. It includes works by and about leading figures in Soviet cinema, film theory, directing, acting, screenwriting, criticism, and production, including Lev Kuleshov, Vsevolod Pudovkin, Mikhail Romm, Vladimir Nielsen, Isaac Babel, Ilya Trauberg, Nikolai Anoshchenko, Veniamin Vishnevsky, and others. Among the included titles are works on film directing, montage, screen acting, visual composition, sound cinema, cinema architecture, film scripts, the history of cinematography, and annual surveys of Soviet film production.

Beyond film technique and aesthetics, the collection is especially valuable for the study of cinema as a Soviet cultural institution. The books address the political, educational, and ideological uses of film, including cinema and communist education, children and cinema, documentary and technical films, foreign film criticism, atheist documentaries, the representation of women, the role of film in public instruction, and the relationship between cinema, literature, theater, and state cultural policy. As a result, the collection will support not only film studies, but also research in Soviet history, Slavic studies, visual culture, media studies, cultural policy, propaganda, gender studies, education, and the history of technology.